Saturday, December 31, 2016

Nathalie et Olivier Daviau - La terre est froide (Noëls – Chabrettes Limousines) (2013 France) @320


This Christmas album has quite an interesting story.
In 1985, Nathalie and Olivier recorded a tape of traditional christmas tunes, most of which were borrowed from Abbot Victor Porville's book "Lou chabrettaïre de nadalou et de nostra dama".
They made a recording in the chapel of Claude Girard village. Olivier played on bagpipes and Nathalie accompanied him on the organ and also played on chabrette. It was one of the first recordings, which in addition to chabrette attended grande chèvre.
Unfortunately the original recording no longer has been published because of technical problems.
In 2013, Nathalie and Olivier with their friends re-recorded the album, giving us the opportunity to hear the very same Christmas music.
The only thing that has changed, so it is the quality of recording - it is a little better.
 
Tracklist:
1) La Sainte Compassion
2) La Passion de Jésus Christ
3) L’horloge de la Passion 
4) Noël de madame Besseyrot
5) Bergers écoutez la musique – Presta lo me
6) Nadalet (Revelhatz-vos pastouraus)
7) L’âme entendit
8) Chantez peuple de l’univers. D’où viens-tu bergère
9) La légende de la bergère 
10) Tous les anges dans nos campagnes 
11) Auvi Diù
12) Ribatz ribatz sount arribatz 
13) Un joune pastre soumeilhava (1)
14) Un joune pastre soumeilhava (2)
15) Nadalou
16) L’Annountiatiu 
17) Réveillez-vous les gens
18) Lo boun Diu, la Senta Vierza
19) La Passiu
20) Anem anem totas filhetas
21) N'i a guaire qu'ai auvit
22) Cantique de Sainte Marthe
23) La terra es fridza  

Musicians :
Nathalie Daviau (Organ, chabrette limousine en Sib, song),
Olivier Daviau (Grande chèvre en Fa, chabrettes limousines en Sol et en La, hurdy gurdy en Sol et en Fa, song)

Guests :
Julien Barbances (Violin),
Romain Ben Ali (Saxophone),
Michel Lecam (Song)
Philippe Randonneix (Song)
Pauline Randonneix (Song)
 

Thursday, December 29, 2016

Rémi Geffroy - Entre-deux (2012 France) @320

Thanks to Cino!

Tracklist:
1. Entre-Deux
2. Suite De Planières
3. Elle
4. La Gifle
5. Un Jour En Normandie
6. Nouveau Départ
7. Diatopia
8. Le Détour
9. L'oeil Du Cyclone
10. Sous Les Roses
11. Innocence
12. L'estropié

Rémi Geffroy : accordéons diatoniques,
Maxime Absous : guitare,
Clément-Son Dang : violoncelle

Monday, December 26, 2016

Pekel - Dijkfolk (2006 Netherlands) @320


Pekel is a 4-piece ensemble that plays traditional music from The Netherlands, often arranged and adapted to modern
influences. On this disc are also several own-composed
melodies and songs in which their traditional roots are clearly recognizable. This is their 5th CD and it proves that Pekel is the leading traditional band of The Netherlands. Instruments include acccordion, keyboards, cistern, guitars, bagpipes, recorder, flutes, jew’s harp, percussion, violin, saz, viola.
 
Tracklist:
1. Marguerite     5:01
2. De Stilte Voor De Storm     5:08
3. Franse Frits     3:08
4. Jan Soldaat     3:52
5. De Hongerige Matroos / Kermisgans     4:14
6. Vaarwel Bruidje Schoon     4:12
7. Madlot / Baonopstekker / Gort Met Stroop     4:00
8. Heimwee     5:34
9. Wieringen / Kielzog     4:23
10. Boerinneke Van Buiten     3:12
11. Vagevuur En Spijt     3:58
12. Swart Laat Je Scheren     7:21

Erno Korpershoe - Accordion, Keyboards, Vocals
Theo Schuurmans - Bagpipes, Vocals, Percussion, Jew's Harp, Flute, Tin Whistle
Peter Moree - Guitar, Zither, Bagpipes, Recorder, Vocals
John Bazuijnen - Vocals, Double Bass, Guitar
Hans Troost - Violin, Viola (tracks: 1, 2, 5, 7, 12) 

Claeys, Paris, Chabenat, Decombel - Live en Flandre (Belgium/France) @320


Contribution from an Anonymous FY's friend.
Thank you. This album deserves!

Here are four musicians who do not claim to form a group as evidenced by the lack of a name for this ensemble. The cover says he is simply the meeting between the two protagonists of the 1995 CD (already ...) "Water and almonds", Frédéric Paris and Gilles Chabenat, (I will not make you The insult to present you ...) and two Flemish musicians then quasi beginners at the time and who have made their way since, thanks to the influence of this recording of the past century ;-). Accordionist Wim Claeys is now well known, particularly for its role in of Ambrozijn and Tref . He also played for several years in duo with Marteen Decombel, certainly the least known of the four thieves here, guitarist and mandolin player who also rotates with the bagpipe Remi Decker and with Wim Claeys in Goze and works with Urban Trad , Ambrozijn , Naragonia Etc ...

If, as I said in the introduction, our four musicians do not pretend to form a real band and if this recording is more simply presented as the recording of a concert in 2005, it is quite different from listening : The listener can only feel the true symbiosis between the four instrumentalists and if the clarinet and, to a lesser extent, the hurdy-gurdy, are sometimes a little more on the front, there is really a group sound that does not incite Not at all to realize
an analytical listening musician by musician. It is much more enjoyable to be caught by this overall sound at the service of an expression present at each note. Moreover, the quality of the sound recording is almost that of the studio.

Hardly any new melodies here but of the picks of well chosen standards. The advantage of being called F. Paris or G. Chabenat is to be able to draw standards in his own repertoire. They do not deprive themselves of it and it is not I who will complain, especially since the way they revisit them justifies these new recordings. Mr. Decombel and Mr. Claeys also each brought a piece.

"In Flanders" certainly evokes for some of you a scottisch from F. Paris and, for others, one of the most beautiful songs of our traditional repertoire ("We will go to Flanders"). In order not to be jealous, the two succeed each other here, the second in a truly gripping version from beginning to end, with just the right thing to return to the theme from time to time. Also note a very nice resumption of the mazurka "L'anternaire" (here, it is written like that!) more minor than ever ...

Jean-Luc Matte
Infos mumuses


01 - Ou t'en vas-tu
02 - Van Belle nr 56
03 - Nous irons en Flandre
04 - En Flandre
05 - L'anternaire
06 - Marouska
07 - Baudimic - Adele - Bleu nuit - La mante
08 - 1-11
09 - Doedelyoudo
10 - Le fil - Montagnarde
11 - Les moissons
12 - L'impasse
13 - Bonus


Wim CLAEYS (Accordéon diatonique)
Frédéric PARIS (Cornemuse, Clarinette, Flûte)
Gilles CHABENAT (Vielle à Roue [Hurdy-gurdy])
Maarten DECOMBEL (Guitare, Mandole)

Saturday, December 24, 2016

Twalseree - Carambol (Belgium 2005) @320


A subtle blend of traditional and original compositions, TAWALSEREE already a part of the largest traditional Flemish renewal as we like to you to discover.
With TWALSEREE, music and dance must be understood as a source to which they feed to create, perform music of today.
Their repertoire combines research, practical and creative for the immediate pleasure of the dancer, the viewer, listener.

Tracklist:
1. Paterke (Hooi en Strooi)
2. Almande Loreyne
3. Basilicum
4. Timmermans scottisch
5. Donkere tijden
6. Jig de Jeremy
7. Jokes scottisch
8. Voor de Vuyst / Marche Jeanne d'Arc
9. Koningsdans van Viersel / Kegelaar van Diest / Jig van Haendel
10. Kamazurka / Bizourka / Tarot
11. 't Oud Wuvege / Poka Smis
12. Rondoos
13. Winterwals / Stempelwals
14. Den Taxander
15. Nepeta

Jeremy Vervoort - zang, gitaar, schalmei, doedelzak, eenhandsfluit, draailier, blazeveer
Werner Alix - zang, klarinet, doedelzak, eenhandsfluit, draailier,schalmei
Ingrid Van Delden - zang, diatonische trekharmonica's
Fries Lefevere - zang, viool, vedel

Gastmuzikanten:
Erwin Libbrecht - bouzouki
Herman De Wit - doedelzak en snarentrom
Koen Dewaele - basgitaar
Miguel Palomo - trommel en bombo

Thursday, December 15, 2016

Dédale - Le Maître Dhû (1991-France) @320



Excellent modern French Folk.

01. Post-A
02. Obsession part 1
03. La tripolitaine
04. Tsatsa Minnka
05. Hypnose / Reel
06. PV / The dwarf
07. Le carré / L'ovale
08. Ombre blanche / Scottish jazzy
09. Les galériens
10. La guinguette / Phyllis
11. Rosebud
12. Chlorophylle


Olivier Cohu: basse, guitare
Isabelle Pignol: vielle à roue
Norbert Pignol: accordéons diatoniques
Christophe Sacchettini: flûtes à bec, anches, épinettes, percussions, whistles
Jean-Pierre Sarzier: clarinette, clarinette basse, claviers


Monday, December 12, 2016

Groupe Sans-Gain - 1981 - Cire tes souliers (vinyl rip @320)

Not available on CD

The double CD "Cire tes souliers" available on the market is a compilation and not a version of this album

A1     An Dro "Tes Jolis Sabots"
A2     Scottich. Suite Traditionnelle
A3     Cercle Circassien. "Feux De La Saint-Jean" + Suite Groupe Sans-Gain
A4     Bourrée à 3 Temps. "Saint-Germain De Confolens"
A5     Branle Double. Suite De Branles Lorrains
A6     Gavotte. Suite Traditionnelle
B1     Polka. Suite Américaine - Alsacienne    
B2     Laride. "Mon Père Il M'a Mariée"
B3     Bourrée à 2 Temps. "Derrirère Chez Nous Il Y A Une Montagne"
B4     Two Step. "Le Petit Léon"
B5     Valse. "Les Moissonneurs"
B6     Reel-Jig. "Reel à Aline" + Suite de Jigs

The Groupe Sans-Gain is a group of Lorrain folk music.
The group was founded in 1964, at the very beginning of the revival of musical folklore in France and Europe.
His compositions are original, often inspired by traditional themes, and interpreted with a mix of ancient and modern instruments.
The name of the "Groupe Sans-Gain" comes from its non-profit association structure, the members being all volunteers and the gains to pay the operating costs.
Groupe Sans-Gain celebrated its 50th anniversary on Friday, May 9, 2014 at the Olympia.

Saturday, December 10, 2016

Etienne Grandjean - Accordéon Diatonique (1987 FRA) [320]

With:
    Saxophone – Jean-Louis Le Vallegant
    Violin, Guitar – Jacky Molard

Tracklist:
A1     Mazurka Du Vignoble    
A2     Quand Il Mouille - La Méchante Femme    
A3     Le Georges Lieu    
A4     Entre Scrignac Et Lanneanou    
A5     Marines    
A6     Le Bal ballant Ou "Isolement D'Un Baleu"    
B1     Nova    
B2     Rondes Du Pays De Loudeac    
B3     La Bateliere    
B4     Dans Plinn    
B5     Matines    
B6     Scottishe De Penhoët

Etienne Grandjean & La Belle Société ‎– Étienne Grandjean & La Belle Société (1995 FRA) [320]

Author, composer and performer, Etienne Grandjean is a virtuoso of the diatonic accordion. The musician subtly explored the world of circus and fairground festivals. At the option of a rich sound palette here means a slow waltz, there inflamed java, some jazzy gypsy or skids. Melancholy alongside humor and, over the pieces, plays instruments that take the audience on a festive round which, like the Ferris wheel, will make you dizzy. In this musical carousel, La Belle Societe leads the way. But Who forms this Beautiful Company? Well, alongside Etienne Grandjean, saxophonist Vincent Burlot and bassist-guitarist Job Defernez become magicians who open the doors of our enchanted dreams. So take a seat. Ladies and gentlemen, the show begins!

    Accordion [Accordéon Diatonique], Guitar, Vocals – Etienne Grandjean
    Strings [Cordes], Bass, Guitar – Job Defernez
    Tuba, Saxophone, Calliope, Voice [Voix D'Opéré] – Vincent Burlot
    Viola – Bernard Kerboeuf
    Drums – Dominique Le Bozec


Tracklist:
1     Manouche     2:06
2     Eléna Mosquito Del Sol     1:26
3     La Chanson De La Misére     3:22
4     La Parade Des Celtes     2:46
5     La Java Mystère     2:35
6     Accordéon Et Boniment     3:35
7     La Callas Des Trottoirs     3:18
8     Le Bal Des Mendiants     2:41
9     La Complainte Des Mystères De Paris     3:13
10     Les Mendigots     3:54
11     Le Pavillon Des Illusions     2:40
12     Song For My Dog     2:52
13     Les Mystères De Paname     2:35
14     Mam'zelle Fabienne     2:21

Friday, December 9, 2016

Susan McKeown - Prophecy (2002 USA) [256m4a]

There's something really archetypal about this superb Irish singer, a NYC resident for over a decade now. The motto of her company Sheila-Na-Gig Music says a lot: New Music from the Old World.

Not the old country, as it used to be called. Susan McKeown's vision and inspired take on Irish music has been uniquely global.

It's not a record cheapened by marketing genres. The intermingling of folk, rock, jazz, world music, and sounds that bear no bin-worthy name rise and fall, swelling to tsunamic crescendos and falling to pin drop silences of spooky guitar loops, Michelle Kinney's haunting cello, and the depths of sorrow and glory that Susan McKeown is so uncannily capable of creating.

Prophecy is a record of many brilliant moods, all songs written or co-written by the artist. Co-producer and fine guitarist Jon Spurney co-wrote the music to the title track -- its lyrics are inspired by a W.B. Yeats passage included in the liner notes. The poetry of Emily Dickinson is also featured: Susan and her friend Natalie Merchant do a memorable duet on "Because I Could Not Stop For Death," set to music by the artist.

Tracklist:
1.    Be Brave Love Be Strong    3:55
2.    River    3:44
3.    Chances Are    4:48
4.    Wheels of the World    3:33
5.    Seven Cold Glories    3:11
6.    What Did I Ever Do To You?    2:29
7.    Because I could not stop for Death    3:50
8.    Ballinaboula    4:15
9.    South    5:31
10.    Prophecy    2:39

Tuesday, November 29, 2016

Alan Stivell - Olympia Concert (France 1972) @320


By Request

À l'Olympia (Also called At the Olympia and Olympia Concert) was Stivell's first
live album, recording in Paris Olympia. It was released by Fontana in 1972.

This live concert was divided into two parts: the first acoustic folk, the second part being electric folk in a style then known as Celtic rock. The evening is a musical tour around the Celtic fringe, from Brittany northwards. It was broadcast live on one of the three radio stations in France (seven million listeners live on Radio Europe 1) Alan Stivell was accompanied by Dan Ar Braz on guitar, Michel Santangelli (the future drummer for Jacques Higelin) on percussion, Gabriel Yacoub, René Werneer, Pascal Stive, Gérard Levasseur, Serj Parayre and Michaël Klec’h.

Stivell à l'Olympia sold a staggering 1,500,000 copies in just over a year (more than 2 million thereafter) and put both Stivell and Breton music on the cultural map once and for all.
 

01. The Wind of Keltia   3:42
02. An-dro   3:07
03. The trees they grow high   3:04
04. An Alarc'h (The swan) 2:25
05. An Durzhunnel   3:23
06. Telenn Gwad / The Foggy Dew   3:57
07. Pop Plinn   3:37
08. Tha mi sgith   4:22
09. The King of the Fairies   3:20
10. Tri Martolod   4:27
11. Kost ar c'hoad   3:54
12. Suite Sudarmoricaine   3:29


Alan Stivell: Singing, harp, Irish flute, bombard
Dan Ar Braz: Electric Guitar
Michel Santangeli: Drums
René Werneer: Fiddle
Gabriel Yacoub: Guitar, Dulcimer, Banjo
Gérard Levasseur: Bass
Henry Delagarde: Bombarde, Cello, Flute
Mikael Klec'h: Bombarde, Flute
Pascal Stive: Organ
Serj Parayre: Percussion

Monday, November 28, 2016

Folkabbestia - Il Senso della Vita [The Meaning of Life] (2003 Italy) @ 256M4A

FOLKABBESTIA are six young guys from Italy who play an
energetic and fun-laden mixture of Ska, Polka, Tarantella,
Irish Folk, Slavic melodies and Italian Canzones. With "Il
Senso della Vita", their international debut CD, FOLKA-
BBESTIA spread their distinctive and sometimes anarchic
humour across Europe - and finally, the meaning of life -
Il Senso della Vita is solved.

In a laconic and ironic way, FOLKABBESTIA tell their tales
of tragic love stories or other adventures with an unhappy
ending.

FOLKABBESTA play sentimental sailors' songs, Italian
anthems like "Azzurro", songs about love and loss, pirates
and partisans, presented with an optimistic punk attitude.

The members of the band come from the city of Puglia, one
of the southernomst regions of Italy, opposite the coast
of Albania. Far from the frenetic hurry, and law and or-
der of the industrial cities of the north, the tip of the heel
of Italy plunges deep into the Mediterranian Sea.
So it is easy to understand how the musical traditions
of the southern Italian region, as well as neighbouring
cultures, have influenced FOLKABBESTA's compositions.

With modern as well as traditional instruments (violin,
accordion, mandolin), FOLKABBESTA deliver a great
live performance, transferring their own sense of fun onto
the audience - jigging and whirling around until completely
exhausted.

Lorenzo Mannsarini (Gesang, Gitarre)
Michele Sansone (Akkordeon)
Guiseppe Porsia (Flöte, Gitarre)
Francesco Fiore (Bass)
Nicola de Liso (Perkussion)
Fabio Losito (Violine)


Tracklist:
1. LA CASSARMONICA  0:23
2. CANZONE D'AMORE 3:19
3. AZZURRO 2:52
4. TAMMURRIATTA A MARE NERO 3:43
5. LA FUGA IN FA 3:43
6. BREVE SAGGIO FILOSOFICA... 4:02
7. CHANSON ETILIQUE 2:54
8. NEL CIRCO UNGEHRESE 3:47
9. AMANDO ARMANDO 3:34
10. IL SABATO NEL VILLAGIO 2:51
11. MEMORIE DI BREIZH 4:47
12. STYLA LOLLO MANNA 2:17
13. LA SINFONIA DI MR TAMBURINO 2:43
14. IL FROTTOLIERE 2:31
15. IL CASTELLO OTTAGONALE 3:58
16. IN VIA SPARANO 3:58
17. PIRATERIA 3:35
18. CANZONE D'AMORE repetiscion 3:35

Hanggai - Introducing Hanggai (2008 China) @256m4a

Sometimes, an album takes you so by surprise that it takes days to get your mind around just how much you like it. Hanggai's debut was like that for me-- this record floored me the first time I played it. Simply described, this album takes traditional Mongolian folk music and instrumentation and projects them into a loosely rock-based structure. This is not really a folk album, though it sometimes has the feel of one. Producers Robin Haller and Matteo Scumaci, Westerners both, allow the band to straddle the folk and pop worlds, creating something new and exhilarating in the process.

Hanggai are a Beijing-based sextet of Mongolian musicians, a few of whom originally hail from China's Inner Mongolia province. Two of the members play the morin khuur (horse-hair fiddle), while another plays the tobshuur, a two-stringed lute, and these instruments comprise the foundation of their sound. Tobshuur player and bandleader Ilchi was formerly in a Beijing punk group and put this band together after hearing the traditional khoomei throat-singing technique. Enthralled by the sound of this centuries-old singing style, he went to Inner Mongolia to learn it, where he ultimately met fiddle players Hugejiltu and Bagen. The combination of the group members' raspy, deep throat singing with a Western compositional sense of tension, build-up, and release is hard to describe apart from saying that it works very well.

It is rare that such attempts to modernize (read: Westernize) traditional folk forms actually enhance the power of the music, but that is the case here. Haller and Scumaci's very subtle additions of electric guitar, bass, and electronic textural elements nicely complement the traditional instrumentation-- the fiddles can produce long drones or billowing melodic figures, and the tobshuur is often used to give the songs a heart-racing rhythmic underpinning, with the help of some hand percussion.

The album's stunning centerpiece, "Five Heroes", opens with a long passage of throat-singing, with one member producing a steady, low drone while another manipulates the high, whistling overtones produced by it. The minimal guitar part has elements of surf, and is later used to inject a long, descending phrase between the verses. It's stunningly dramatic, and on hearing it my wife remarked that, even though they were singing in Mongol, she could feel the storytelling taking place in the lyrics. I have to agree.

The album is well-balanced between up-tempo and down-tempo offerings, and fast, rhythmic tracks like "Flowers". The natural ease with which these young musicians fit their mother culture's traditional musical arsenal into structures provided by another culture is remarkable-- unlike that horrible Yat-Kha album with the awkward throat-singing covers of Joy Division and Motörhead from a few years ago, there is never a sense of novelty in this music, just the sense that these unique, singular traditions can have a place in music moving forward.

And that's perhaps the biggest reason that Hanggai's debut is an unmitigated success. It distills everything powerful about Mongolian folk music and makes something new from the ingredients. If you like this, I recommend trying out some actual traditional Mongolian music, though an understanding of it isn't remotely necessary to enjoy Hanggai. As it is, if you've never heard throat-singing or given a second (or even first) thought to Central Asian music, this album is a great place to start. Moreover, it succeeds on a purer level than that, as transcendently powerful music that anyone from anywhere can understand.

Tracklist:
1.    My Banjo and I    5:10
2.    Yekul Song    3:46
3.    Zhaoderen Nana    3:56
4.    Five Heroes    2:37
5.    Flowers    5:33
6.    Haar Hu    3:26
7.    Wuji    2:01
8.    Lullaby (Borulai)    2:57
9.    Drinking Song    4:02
10.    Four Seasons    3:01

Sunday, November 27, 2016

Alan Stivell - Live in Dublin (France 1978) @320


By Request

In Dublin is a folk/rock album by Alan Stivell, recorded live at the National Stadium, Dublin, on 26 and 27 November 1974, and originally released in 1975.

The album was produced by Alan Stivell and Peter Rice for Keltia III. It was recorded by Frank Owen on the Island Mobile, and mixed by Howard Kilgour at Island Studios. The original LP release (in the UK, Fontana 9299 547) was cut at Apple Studios, with sleeve photography by Roy Esmonde and Ian Gwenic and design by Alain Batifoulier and Blandine Durand. Packaged with the original LP was a poster drawn by Irish artist Jim Fitzpatrick.
 

01 - Spered Hollvedel
02 - Delivrance
03 - Ha Konpren't Vin Erfin
04 - Tenwal Eo'r Bed
05 - Digor Eo An Hent
06 - Debhair An Rinceoir
07 - Pachpi Kozh Pachpi New
08 - Laridenn
09 - Ton-Bale Pourled
10 - Bal Ha Dans Plinn
11 - An Droiou

Alan Stivell: Vocals, Harp [Celtic], Bombarde, Flute [Irish], Bagpipes
Padrig Mollard: Bagpipes
Pierre Mayel: Bagpipes
Jacky Thomas: Bass 
Mik Ar Biz & Padrig Sicard: Bombarde
Michel Santangeli: Drums
Dominique Mollard: Drums [Scottish]
Rene Werner: Fiddle, Dulcimer
Alan Kloater: Flute, Bombarde, Other [Biniou Kozh] 
Dan Ar Bras: Guitar [Acoustic & Electric]
Pascal Stive: Organ


Saturday, November 26, 2016

Alan Stivell - 'Raok Dilestra - Avant D'Accoster [FRENCH VERSION] (France 1977) @320


Vinyl Rip - Not released on CD
(Thank you Thierry!)

'Raok Dilestra is the ninth original album by Alan Stivell and his seventh studio album, released in 1977. It was published on CD in 1992 with a distribution by Dreyfus / Sony Records Music. It is an album-concept, entirely composed by Alan Stivell, retracing the stages of the history of Brittany at first, then the events that the Britons experienced in the twentieth century, finishing, turned towards the future, By a "free Britain" chanted in three languages. A step he considers necessary in his transmission cycle before turning to the future.


Face A - Tu A : Hon Amser-Dremenet (Notre Passé) ( En Enor- Dédié à - Glenmor) 
1 - Ar Gelted Kozh (Les Anciens Celtes) (4:20)
2 - Ar Vritoned 'Ba' Inis-Breizh (Les Britons Dans L'Ile De Bretagne) (1:59)
3 - Les Britons En Armorique (Ar Vritoned D'An Arvorig) (1:25)
4 - Rouantelezh Vreizh (Le Royaume De Bretagne)  (3:22)
5 - Dugelezh Vreizh (Le Duché De Bretagne) (3:04)
6 - Le Traité D'Union Franco-Breton (An Aloubidigezh Gant Bro-C'Hall) (1:03)
7 - Emsawadegoù (Révoltes) (2:11)
8 - La Révolution Française Et Le 19e Siècle (Dispac'H Bro-C'Hall Ag An 19e Kantwed)  (2:25)
9 - Première Moitié Du 20e Siècle (Lodenn Gentan An Ugentwed Kantwed) (2:36)
10 - Eil Lodenn An Ugentwed Kantwed (Deuxième Moitié Du 20e Siècle) (2:36)

Face B - Tu B : Hon Amser-Vreman (Notre Présent)
11 - Da Ewan (A Ewan)  (4:12)
12 - Gwriziad Difennet (Racines Interdites) (3:19)
13 - Marw Ewid E Fobl (Mort Pour Son Peuple) (4:11)
14 - Naw Breton 'Ba' Prizon (Neuf Breton En Prison) (5:03)
15 - Tamm-Kreiz New' (Nouveau Tamm-Kreiz) (1:34)
16 - Plinn (Slogan) (3:11)


Alan Stivell : chant, lecture, harpes celtiques, cornemuse écossaise, bombarde, flûte irlandais, claviers
Dan Ar Braz : guitares électriques et acoustiques, chœurs
Padrig Kerre : mandole, dulcimer, fiddle, chant
André Hervé : claviers
Michel Hervé : basse
Jean-Luc Danna : percussions, batterie
Yann-Jakez Hassold : chant
Maria Popkiewicz : chant
Brigitte Hassold : lecture
Adam Skeaping : violoncelle
Lyn Dobson : flûte traversière, sitar, tablas, psalterion
Richard Harvey : cromorne, flûte à bec
Bagad Bleimor (avec les penn-soner Yann-Fañch ar Merdy et Youenn Sicard)

Naw Breton 'ba' prizon et Gwriziad difennet (pistes 12 & 14) :
Clément Bailly : batterie
Dominique Luro : claviers
Patrick Kiffer : basse
Dave Swarbrick : fiddle
Alain Hatot : saxophone ténor (piste 12)


Friday, November 25, 2016

Gabriel Yacoub - Quatre (France 1994) @320


By Requet

01 - Solide
02 - Leplus rapide des oiseaux
03 - Tant pis que l'exil
04 - Beauté Twelfth song of the thunder
05 - Letter from America
06 - Je suis à court
07 - Tourne tourne
08 - La mariole
09 - Les blés sur l'eau
10 - Regarde bien petit
11 - Le sel et le sucre
12 - Ces dieux-là
13 - Les bannières qui claquent
14 - LFA [reprise]

Gabriel YACOUB (Adaptation (paroles), Auto harp, Guitare, Mandoline, Mandocello, Auteur de la musique, Parolier, Voix)
Mélaine FAVENNEC (Auteur de la musique, Parolier, Voix)
Jacques BREL (Auteur de la musique, Parolier)
Patrice CLEMENTIN (Auto harp, Didjeridu, Keyboards, Kora, Percussion, Piano)
Nikki MATHESON (Voix)
Paul BRADY (Voix)
Yannick HARDOUIN (Basse)
Jean-Pierre ARNOUX (Drums)
Nicolaïvan MINGO (Guitare électrique, Slide guitar)
Gilles CHABENAT (Percussion, Vielle à Roue [Hurdy-gurdy])
Jean-Pierre RASLE (Cornemuse)
Gildas ARZEL (Backing vocals, Slide guitar)
Elizabeth BOUDJEMA (Violon)
Claire-Hélène SCHIRRER-GARY (Violon)
Virginie MICHAUD (Alto violin)
Pascale JAUPART (Violoncelle)
Jean BLANCHARD (Cornemuse)
Manu LE HOUËZEC (Bombarde, Cromorne, Flûte, Saxophone, Tin whistle)
Elie ACHKAR (Qanun)
Sylvie BERGER (Voix)
Brian GULLAND (Basson, Flûte à bec, Hautbois)
Eric MONTBEL (Cornemuse)
Robert AMYOT (Cornemuse)
François HADJI-LAZARO (Accordéon, Kaval [Bulgarian flute])


Pererin - Yng Ngolau Dydd (1985 Wales) @320


Tracklist:
1. Yng Ngolau Dydd
2. Mab y Saer
3. Cyntaf dydd o Fai
4. Ar gyfer heddiw'r bore
5. Dacw Nghariad i Lawryn y Berllan
6. Can Job
7. Hogia Llandegai
8. Jasmin
9. Mae gen i farch glas
10. Y Ddraenen Wen
11. Bachgen bach o Lyn
12. Henffych i ti

Arfon Wyn : guitar, mandolin,bouzouki,vocals
Dafydd Wyn : guitar
Emyr Afan : guitar,vocals
Mair Davies : soddgrwth
Einion Williams : bodhran, congas, bongos,percussion

Pererin - Tirion Dir (1982 Wales) @320


Tracklist:
1. Llosgi Yn Fflam (Burn Crooked Flame)
2. Harri'r VIII (Henry VIII)
3. Boed Fy Nghalon
4. Niwl a Than (Foggy Dew)
5. Lisa Lan
6. Y Gelynen
7. Gweld y Gwir (See the Truth)
8. O Ferch y Ffair (The Fair Girl)
9. Y Capten Newydd
10. Mynwent Eglwys (Churchyard)

Arfon Wyn ab Eurig - acoustic and electric guitars, vocals
Einion Williams - bodhran, congas, bongos
Emyr Afan - 6 and 12 string acoustic guitar, vocals
Sioned Webb - mandolin, flutes, whistles, synthesizer, backing vocals
Gethyn Evans - bass






Pererin - Haul Ar Yr Eira (Sun of the Snow) (1980 Wales) @320


Tracklist:
1. Haul Ar Yr Eira (Sun on the Snow)
2. Titrwm Tetrwm
3. Dechrau Y Gan
4. Can Y Melinydd (The Flour Miller)
5. Ni Welaf Yr Haf
6. Royal Charter
7. Gloyn Byw
8. Llongau Caernarfon (Canarvon ships)
9. Hiraeth Y Mor (Yearning)
10. Pan Ddaw Y Brenin Yn Ol (Here comes the Crooked old King)

Arfon Wyn ab Eurig - guitars, vocals
Charli Goodall - guitars, bass, vocals
Einion Williams - bodhran, congas, bongos
Aneurin Owen - flute
Nest Llwelyn - vocals, keyboards

Pererin - Teithgan (1981 Wales) @320




Awesome second longplayer by Welsh psychedelic folk-rockers Pererin. Traditional Welsh folk meets rock with psychedelic guitar leads, flute, male/female vocals... This was originally released in 1981 on the Gwerin label and for many it is their best work, and it's definitely its rarest one. Exact repro of the original, including the insert. Definitely one of the best albums of the genre, another superb rarity brought to you with a legit reissue by Guerssen.
(green-brain-krautrock.de)

Pererin biography
PERERIN, meaning "Piligrim" in Welsh, is to Wales what RUNRIG has been to Scotland, only more so. They perform traditional and traditionally inspired original material that combines spiritual and romantic themes with a strong helping of Nationalistic pride and a desire to preserve their own unique culture. They sang only in Welsh, and even English sleeve notes are even hard to find. Their original
LPs command a high price, but recent CD reissues have guaranteed their accessibility and their legacy.
Pererin evolved from a more overtly progressive rock group named BRAN that released three albums between 1975 and 1978, to release three of their own from 1980 to 1982. While PERERIN emphasized the folk element, they were no less
progressive, thanks to thoughtful arrangements that featured plenty of mellotron and mildly acidic electric guitar, imaginative percussion, ambitious song structures, and various mood shifts. The variety of styles explored was impressive, from very traditional to symphonic to country flavoured to just plain eclectic, so unless you have a real aversion to folk or non-English songs, you will find something to like among Pererin's rich if abbreviated legacy.

 
 Tracklist:
1. Y Drws (Hearts Door) (4:16)
2. Y Gwr O Gefn Birth (The Man from Cefn Brith) (4:20)
3. Ddoi Di Dei (Will you come Dai) (3:40)
4. Draw Dros Y Bryniau (Far over the hills) (4:02)
5. Mae Nghariad in Fenws (My Love) (3:52)
6. Symffoni Lawen (Joyful Symphony) (3:02)
7. Teithgan (Journey) (5:25)
8. Ble'r Wyt Ti'n Myned (Where are you going my Fair Maid) (4:43)
9. Diferion (A Few Trickles) (1:30)
10. Mynydd Parys (Pary's Mountain) (5:13)

Arfon Wyn ab Eurig - acoustic guitars, vocals
Charli Goodall - acoustic and electric guitars, vocals
Einion Williams - bodhran, congas
Aneurin Owen - flute, keyboards, backing vocals
Lilo Haf - flute, keyboards, backing vocals







Thursday, November 24, 2016

Gabriel Yacoub - Yacoub (France 2001) @320


By Request

1. Mes Belles Anciennes Compagnes (3:24)
2. Si C'Était (4:47)
3. Gris (5:29)
4. You Stay Here (3:05)
5. Trahison (4:45)
6. Pour Une Joie Au Loin (3:05)
7. Dame: Petite Dame (2:58)
8. Les Rues Des Vieilles Capitales (3:36)
9. Le Poids Du Passé (4:13)
10. Je Vois Venir (3:05)
11. L'Amour Marin (7:47)

Vocals, Acoustic Guitar, Mandolin, Mandocello – Gabriel Yacoub
Bagpipes [Uilleann] – Ronan Le Bars
Cello – Jean Claude Auclin
Hurdy Gurdy – Gilles Chabenat
Violin – Nathalie Rivière
Vocals – Sylvie Berger
Cello – Paul-Antoine De Rocca Serra
Acoustic Bass – Yannick Hardouin
Percussion – Paul Jothy
Violin – Fayçal Kourrich
Electric Guitar, Acoustic Guitar – Nicolas-Yvan Mingot
Low Whistle – Ronan Le Bars
Percussion – Jean-Pierre Arnoux
Trombone – Jorgi Kornazov
Keyboards – Hughes De Courson
Trumpet – Martin Saccardy
Organ [Hammond] – Yannick Hardouin

Gabriel Yacoub - The Simple Things We Said (France 2002) @VBR


By Request.

It is originally an American production (New York label Prime CD) intended for the American market but the album is also available in France (exclusively) via the site of Gabriel Yacoub. The Simple Things We Said is a collection of Gabriel's entirely acoustic songs, new & old, augmented by some unpublished. The album is released mid January 2002 in the United States at the time Gabriel is at the beginning of a US tour of 14 dates.


01 - The Simple Things We Said
02 - Dame  Petite Dame
03 - Le Jeu Des Grillons  Je Serai Ta Lune
04 - Le Garcon Jardinier
05 - Mes Belles Anciennes Compagnes
06 - Letter From America
07 - Ami  Âme  Amen
08 - Pluie D'elle
09 - Jour De Lessive
10 - You Stay Here
11 - Désir
12 - Ces Dieux-Là
13 - Beauté  12Th Song Of The Thunder
14 - Les Choses Les Plus Simples

Gabriel Yacoub: guitar, mandolin, mandocello, autoharp, vocals
Nathalie Rivière: violin, vocals
Yannick Hardouin: bass, mélodica, electric piano, vocals
Gilles Chabenat: vielle à roue
Jean-Claude Auclin: cello
Sylve Berger: vocals
Brian Gulland: bassoon
Nicolaïvan Mingot: slide guitar, guitar J.P. Arnoux—percussion
Kate & Anna McGarrigle: vocals
Elizabeth Boudjema, Virginie Michaud, Pascale Jaupart: strings

Monday, November 21, 2016

Mélusine - 1977 - Lève-toi et danse! (Vinyl Rip) @320

Not available on CD
Tracklisting

A1 Rondeaux    
A2 Laridé
A3 En Dro
A4 Bourrées à 2 temps
A5 Rond d'Argenton
A6 Bourrées d'Auvergne


B1 Polkas
B2 En avant-deux
B3 Rond de Saint Vincent
B4 Cercle circassien
B5 Mazurka - mazurka-valse - mazurka


Crédits

Bodhrán, Bouzouki, Hurdy Gurdy, Vocals, Zither [Épinette Des Vosges] – Jean-François Dutertre
Bodhrán, Oboe [Chalémie], Crumhorn, Oboe, Recorder, Vocals, Bagpipes [Musette Renaissance], Clarinet, Recorder – Yvon Guilcher
Melodeon [Diatonic Accordion], Vocals, Recorder, Zither [Épinette Des Vosges], Bodhrán – Jean-Loup Baly
Violin – Marc Rapillard

René Werneer - Musiques Traditionnelles Et Savantes Pour Les Violons (France 1981) @320


Vinyl Rip - Not released on CD
(Thank you Thierry!)

01 - La Danse Du Roi - Cortège Du Fou
02 - Deuil Et Souci
03 - Planxty Scott
04 - Spike Island Reel
05 - Volte Anglaise
06 - Gaillarde
07 - Almain's Reel
08 - The Queenes Almain
09 - Paddy O' Rourke's Fancy (Jig)
10 - D'où Viens-tu (Gaillarde)
11 - Canzonetta A 3
12 - Les Miens Aussi
13 - Planxty Nancy Vernon
14 - Brogan's Reels
15 - Courante
16 - Pavane A 3
17 - Cronin's Jigs
18 - Basse Danse De Couserans
19 - Pavane
20 - Bourrée - L'âge
21 - Volte Française
22 - Canzon A4


- René Werneer - Violons


Tuesday, November 15, 2016

René Werneer - Ecoutez Tous Pauvres Et Riches (France 1978) @320


Vinyl Rip - Not released on CD
(Thank you Thierry!)


01 - Branle De Daigny
02 - Le Sort Des Mariniers
03 - Pavotte
04 - A) Au Châteu De Belfort B) Pavanne
05 - Allemagne Du Duc De Brunswick
06 - Allemande D' Entrecasteaux
07 - Arles Qui Est En France
08 - Le Récit Des Plus Grandes Misères
09 - Le Docteur Bull Va A La Chatre
10 - Ecoutez Tous Pauvres Et Riches
11 - Gaillarde
12 - Pavanne De Thomas Morley


René Werneer: violon, orgues, clavecin, chant
Pierre Roussel: basse 
Pierre Marcault: batterie
John Faure: banjo, guitare, chant 
Patrice Quef: enregistrement

Monday, November 14, 2016

René Werneer - L'Habit De Plumes (France 1977) @320


Vinyl Rip - Not released on CD
(Thank you Thierry!)

In the family, or rather the group of the best French musicians, I ask the violinist ... 
Small reminder of history. René WERNEER, flammande of origin, is basically a traveling musician, which was formed by attending rallies and music artists including folk in the 60s with his friend guitarist Gabriel Yacoub, they are enrolled in the legendary group that accompanied Alan Stivell in the early 70s (for me the biggest francophone group in history), alongside guitarist Dan Ar Braz and drummer Michel Santangeli. Alan dissolved the group in 1975 and some of its former musicians including WERNEER and Ys Santangeli form the group which publishes his only album, Madam Frontier in 1976. The experience is exciting and the least well received, but Rene is unsatisfied. He left Ys becomes Keris, officiates during a small year in Malicorne group of his friend Gabriel Yacoub replacing Laurent Vercambre and share record his first solo album in London, with a few choice of musicians like Alvarez-Claude Pereyre, guitarist Jean-Luc Chevalier (which is found later with Tri Yann), bassist Claude Le Peron (who would later ... with Jean-Jacques Goldman!) and English multi-instrumentalist Brian Gulland who will play later with Malicorne and Gabriel Yacoub. 


1. L'habit De Plumes
2. La Fille Aux Dragons
3. Belle, Je Me Suis Levé
4. Reel De Saint Irénée
5. L'ordre Du Roi
6. Basse Danse D'allevans
7. La Sainte Madeleine
8. Les Métamorphoses


- René Werneer (vocals, violin, organ, harmonium, dulcimer) 
- Claude Alvarez Pereyre (guitars, violin, harmonium, portable organ, Arran) 
- Jean-Luc Chevalier (guitars, bass) 
- Claude Le Peron ( bass) 
- Jean Knight (drums, timpani, drums, tambourine) 
- Brian Gulland (bassoon, crumhorns, flute recorder) 
- Gustav Klarkson (alto) 
- Timothy Kraemer (cello) 

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